"The Story of An Hour" By: Kate Chopin
"The Story of An Hour"Kate Chopin (1894)
Kate Chopin
Kate Chopin, born Katherine O'Flaherty, was a U.S. author of short stories and novels. She is now considered by some to have been a forerunner of the feminist authors of the 20th century of Southern or Catholic background.Born: February 8, 1850, St. Louis, Missouri, United StatesDied: August 22, 1904, St. Louis, Missouri, United StatesSpouse: Oscar Chopin (m. 1870–1882)Children: Oscar Charles Chopin, Felx Andrew Chopin
Knowing
that Mrs.
Mallard was afflicted with a heart trouble, great care was taken to break to
her as gently as possible the news of her husband's death.
It
was her
sister Josephine who told her, in broken sentences; veiled hints that revealed in half
concealing. Her husband's friend Richards was there, too, near her. It was
he who had been in the newspaper office when intelligence of the railroad
disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the
time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less
tender friend in bearing the sad message.
She
did not hear the story as many women have heard the same, with a paralyzed inability to accept its
significance. She wept at once, with sudden, wild abandonment, in her sister's
arms. When the storm of grief had spent itself she went away to her room alone.
She would have no one follow her.
There
stood, facing the open window, a comfortable, roomy armchair. Into this she
sank, pressed down by a physical exhaustion that haunted her body and seemed to
reach into her soul.
She
could see in the open square before her house, the tops of trees that were all
aquiver with the new spring life. The delicious breath of rain was in the air.
In the street below a peddler was crying his wares. The notes of a distant song
which someone was singing reached her faintly, and countless sparrows were
twittering in the eaves.
There
were patches
of blue sky
showing here and there through the clouds that had met and piled one above the
other in the west facing her window.
She
sat with her head thrown back upon the cushion of the chair, quite motionless,
except when a
sob came up into her throat and shook her, as a child who has cried itself
to sleep continues to sob in its dreams.
She
was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away
off yonder on one of those patches of blue sky. It was not a glance of reflection,
but rather indicated a suspension of intelligent thought.
There
was something coming to her and she was waiting for it, fearfully. What was it? She did not
know; it was too
subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her
through the sounds, the scents, the color that filled the air.
Now her
bosom rose and fell tumultuously. She was beginning to recognize
this thing that was approaching to possess her, and she was striving to beat it back with her
will--as powerless as her two
white slender hands would have been. When she abandoned herself a little whispered word
escaped her slightly parted lips. She said it over and over under the
breath: "free, free, free!" The vacant stare and the look of terror
that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast,
and the coursing blood warmed and relaxed every inch of her body.
She
did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted
perception enabled her to dismiss the suggestion as trivial. She knew that she
would weep again when she saw the kind, tender hands folded in death; the face that had never
looked save with love upon her, fixed and gray and dead. But she saw beyond that
bitter moment a long procession of years to come that would belong to her
absolutely. And she opened and spread her arms out to them in welcome.
There
would be no one to live for during those coming years; she would live for
herself.
There would be no powerful will bending hers in that blind persistence with
which men and women believe they have a right to impose a private will upon a
fellow-creature. A kind intention or a cruel intention made the act seem no
less a crime as she looked upon it in that brief moment of illumination.
And yet
she had loved him--sometimes. Often she had not. What did it matter! What could
love the unsolved mystery, count for in the face of this possession of self-assertion
which she suddenly recognized as the strongest impulse of her being!
"Free!
Body and soul free!" she kept whispering.
Josephine
was kneeling before the closed door with her lips to the key hole, imploring
for admission. "Louise, open the door! I beg; open the door--you will make
yourself ill. What are you doing, Louise? For heaven's sake open the
door."
"Go
away. I am not making myself ill." No; she was drinking in a very elixir
of life through that open window.
Her
fancy was running riot along those days ahead of her. Spring days, and summer days, and
all sorts of days that would be her own. She breathed a quick prayer that life
might be long. It was only yesterday she had thought with a shudder that life
might be long.
She
arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself
unwittingly like a goddess of Victory. She clasped her sister's waist, and together they
descended the stairs. Richards stood waiting for them at the bottom.
Someone
was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been
far from the scene of the accident, and did not even know there had been one.
He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his
wife.
When
the doctors came they said she had died of heart disease--of the joy that
kills.
Reading
response:
Pick out at least five phrases which you think are especially important to the
story (what you might mark on a printed text.) Briefly describe why you chose
each.
What questions about character or motivation or plot does this story leave in
your mind?
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Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
Pick out at least five phrases which you think are especially important to the story (what you might mark on a printed text.) Briefly describe why you chose each.
What questions about character or motivation or plot does this story leave in your mind?


